Having a pet is so weird. Like neither of you speak each other’s language and yet you form some strong bond by rubbing against each other and sleeping together and you might accidentally kick them in the face or step on their tail once in a while but at the end of the day you two are best buddies from entirely different species.
really sick of seeing so much hate directed towards the police on here. look, we get it, you prefer sting’s solo work, i like it too alright? that doesnt mean ‘every little thing she does is magic’ and ‘can’t stand losing you’ arent awesome jams. ‘roxanne’ and ‘don’t stand so close to me’ are classic, don’t even get me started on ‘spirits in the material world’. just stop ok?
“Your voice sounds completely different in different languages. It alters your personality somehow. I don’t think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
When I hear myself speak French, I look at myself differently. Certain aspects will feel closer to the way I feel or the way I am and others won’t. I like that—to tour different sides of yourself. I often find when looking at people who are comfortable in many languages, they’re more comfortable talking about emotional stuff in a certain language or political stuff in another and that’s really interesting, how people relate to those languages.”—François Arnaud, for Interview Magazine (via gilbertnorrell)
“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals—sounds that say listen to this, it is important.”—Gary Provost (via strawberrysaturn)
“Yes, poor little old you. There we were, discussing rape, violence against women, systemic oppression and other manifestations of sexism, and you had to jump in to remind us that “not all men” do these things. Why don’t you really say what you want to say? “I HAVE NEVER RAPED/HIT/ASSAULTED A WOMAN!” Right? Isn’t this what you really want to say? Yes, make a discussion that is about the plight of MILLIONS of women about poor little old you. I mean, millions of women are being assaulted and oppressed, but you’ve never done it, so why are we making you uncomfortable with these discussions?”—Brenda Wambui breaking down the ridiculous “Not all men!” phrase over at Medium. Top-notch work. (via itmac)
My dad was telling me about these girls at his old college who invented a nail polish that paints on clear, and if you stir your drink with your finger with the nail polish on, it will react with the “Date Rape” drug and turn red.